Daly City, CA: Bola at Buhay/Ball and Life emerges as a beacon of storytelling, blending the personal journey of self-discovery with the universal quest for belonging. Written and Directed by Ashley Romero, this poignant film navigates the life of Jun, a Filipino nurse in the San Francisco Bay Area, who finds a sense of home and identity on a local basketball court. This project seeks to raise $25,000 on Seed & Spark, aiming to not only bring Jun’s narrative to the screen but also to highlight the transformative power of community and shared experiences. With a film crew predominantly composed of Filipino creatives, the production not only aims to share Filipino stories but also to provide opportunities for Filipino artists and professionals, further enriching the authenticity and impact of its narrative.
This film is born from a deeply personal place, reflecting the lived experiences of first and second-generation Filipino Americans. “We’re not just making a movie; we’re sharing a piece of ur souls,” says Romero, emphasizing the project’s roots in genuine experiences and emotions. It’s a testament to resilience, the beauty of finding one’s tribe, and the profound impact of sports in uniting people from diverse backgrounds. Bola at Buhay/Ball and Life is more than a story; it’s an invitation to audiences everywhere to explore their own journeys of self-discovery and the meaning of home.
About Ashley Romero: Ashley stands as a bridge between the storied history of Philippine cinema and the vibrant narratives of Filipino American life today. Drawing from her heritage as the granddaughter of Eddie Romero and Mila Del Sol, legendary figures in Philippine cinema, Romero brings a unique perspective to Bola at Buhay/Ball and Life. Her vision for the film is not only a tribute to her family’s legacy but also a fresh exploration of identity, belonging, and the power of community in the modern world. With this project, Romero aims to craft a narrative that resonates universally, celebrating the shared human experience through the lens of her own
cultural heritage.
